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Color (an element of visual art and design) is the aspect of any object that may be described in terms of hue, (the name of the color) value (how light or dark it is), and saturation (intensity: how bright or dull it is). In physics, color is associated specifically with electromagnetic radiation of a certain range of wavelengths visible to the human eye. Radiation of such wavelengths constitutes that portion of the electromagnetic spectrum known as the visible spectrum i.e. light... — Encyclopedia Britannica
The Origins of Color (above) (11:43)
Isaac Newton's youthful experiments with sunlight and prisms established an entirely new basis for the understanding of light and colour. His manuscript collections in Cambridge University Library hold crucial clues to how he worked. This film uses this invaluable evidence to explore Newton's remarkable notebooks and experimental explorations at Cambridge and at his Lincolnshire home. — Cambridge University Library
The Electromagnetic Spectrum (2:56)
The Sun is constantly broadcasting information about its activity in the form of light waves... that take about ~8.5 minute journey to reach the earth. Find out why there's more to see than what meets the eye... —NOVA
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Light: Crash Course Astronomy (10:34)
In order to understand how we study the universe, we need to talk a little bit about light. Light is a form of energy. Its wavelength tells us its energy and color. Spectroscopy allows us to analyze those colors and determine an object’s temperature, density, spin, motion, and chemical composition. —CrashCourse
The Electromagnetic Spectrum (32:06)
Welcome to the Tour of the Electromagnetic Spectrum. This unique NASA resource on the web, in print, and with companion videos introduces electromagnetic waves, their behaviors, and how scientists visualize these data. Each region of the spectrum is described and illustrated with engaging examples of NASA science.—NASA
How is Light Absorbed, Reflected and Refracted? When light rays come into contact with an object, they either get absorbed, bounce back (reflected), or pass from one medium to another (refracted). —STEAMspirations
Refraction and dispersion are shown as the continuous beam of white light dispersed by the transparent prism. The beam represents the combined wavelengths of visible light, (7 here), as they travel through a black vacuum with equal speeds. The prism causes the light to slow down, which bends its path by the process of refraction. Con't...
Let's start with light that is refracted or bent by a transparent object.
How We See (0 - 1:23)
The lens (10) of our eyes are transparent biconvex structures that act like prisms. Along with the cornea (8), the aqueous humour (7) and vitreous humour (1), it refracts (bends) light, focusing it onto the retina (30). The cornea (8) is the transparent front part of the eye that covers the iris (9), pupil (6), and anterior chamber (7) refracts light, accounting for approximately two-thirds of the eye's total optical power. —
How does our brain help us see color? Learn how our color vision works as we follow a beam of sunlight bouncing off a beach ball. In this visual journey, we’ll explore the physics of visible light, the structure of our eyes, and how our brain processes visual information. Then, find out more in the Museum exhibition: The Nature of Color: — American Museum of Natural History
Retina (30) Focusing light onto the retina causes chemical changes in the photosensitive cells that trigger nerve impulses which travel to the brain. It contains two forms of photosensitive cells important to vision, rods and cones. Though structurally and metabolically similar, their function is quite different:
The fovea (26), directly behind the lens, is a dip in the retina directly opposite the lens and consists of mostly densely-packed cone cells. It is largely responsible for color vision in humans, and enables high acuity (detailed central vision), such as is necessary in reading or any other task which primarily requires looking at things.— Wikipedia
Rod cells (in the retina - 30) are highly sensitive to light allowing them to respond in dim light and dark conditions, however, they cannot detect color. These are the cells which allow humans and other animals to see by moonlight, or with very little available light (as in a dark room). This is why the darker conditions become, the less color objects seem to have.
Cone cells , (in the retina - 30) conversely, need high light intensities to respond and have high visual acuity. Different cone cells respond to different wavelengths of light, which allows an organism to see color. —Ask a Biologist at Arizona State University
View 6K (5760 × 3992) This image captures the many layers of nerve cells in the retina. The top layer (green) is made up of cells called photoreceptors that convert light into electrical signals to relay to the brain. The two best-known types of photoreceptor cells are rod- and cone-shaped. — National Eye Institute, National Institutes of Health (NIH Image Gallery Photo Credit: Wei Li)
Rods help us see under low-light conditions but can't help us distinguish colors.
Cones don't function well in the dark but allow us to see vibrant colors in the daylight.
(c. 1918) as quoted by René Gimpel, Diary of an Art Dealer (1966) p. 58.
Monet at Google Arts & Culture
Monet
Color models are systems of three colors represented in different ways and used to create a huge range of colors when combined. The two most common color models are additive and subtractive color models. Additive color models (RGB) add color together to make white eventually, and subtractive color models (RYB) remove color to make white. Each type of color model uses different parameters and methods to achieve the range of colors seen today. cont...—
"Additive" Color Model
is a structured system used in digital devices and light-based media to create a gamut of colours from a small set of primary colours—in this case, red, green, and blue.cont...— Britannica
"Subtractive" Color Model
is used by artists primarily working in paint. If all of its primary colours—red, yellow, and blue—are combined, theoretically they would create black. This is because the pigments of paint selectively absorb and reflect light to create colour. cont...— Britannica
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Creative Commons Public Domain
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Google Arts and Culture Pocket Gallery
The Art of Color