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Shape (an element of visual art and design) is defined as a two or more dimensional area that stands out from the space next to or around it due to a defined or implied boundary, or because of differences of value, color, or texture. Shapes are recognizable objects and forms and are usually composed of other elements of design...—
Shape at
oogle Arts & Culture
Video & Timestamps: SHAPE: The 7 Elements of Art
(12:39)
—Lillian Gray
Henri Matisse's Use of Shape (2:38)
Kandinsky's Use of Shape (3:46)
Static and Dynamic Shapes (4:07)
Use of Shape in Futurism (4:47)
Drawing with Basic Shapes (5:18)
Piet Mondrian's Use of Shape (5:52)
Organic shapes consist of any shape that is not created with strict angles with lines that do not conform to mathematics and geometry. All that is truly needed to draw an organic shape is some form of writing or drawing utensil, like a pencil, pen, or paintbrush. These kinds of shapes convey a sense of naturalness and freedom that the other types of shapes do not cont... —
Next, we will learn about "geometric" shapes.
A geometric shape consists of the geometric information which remains when location, scale, orientation and reflection are removed from the description of a geometric object. That is, the result of moving a shape around, enlarging it, rotating it, or reflecting it in a mirror is the same shape as the original, and not a distinct shape... —
40+ Striking Works of Art That Creatively Make the Most of Negative Space:
As an experimental yet age-old approach to art, using negative space is a creative way to depict subject matter and craft intriguing compositions. By unexpectedly employing the untouched space surrounding the central figure or object of a work of art, artists can create pieces that are both aesthetically balanced and eye-catching.
Next we will investigate shape and form.
Form (in this context) is described as any three-dimensional object... measured from top to bottom (height), side to side (width), and from back to front (depth). Form is also defined by light and dark...— Learn how to turn flat two-dimentional shapes into the illusion of three dimensional forms
Next, we will practice identifying different types of shapes with M.C. Escher.
Day and Night, 1938, woodblock detail by M.C. Escher, located at Hague, Netherlands, the Palacewhite. Black birds fly over a Dutch landscape. The white birds fly to the right, through the night. From this dark sky, black birds emerge, flying to the left into the day. In a vertical movement, at the point where the birds meet, they gradually transform into the fields that make up the landscape. As the basis for this metamorphosis, Escher used a tessellation. This is a motif whose outer lines connect seamlessly on all sides and can be repeated endlessly. Escher calls tessellation “the richest source of inspiration” he has ever tapped into... Escher in the Palace
Next, we will practice identifying different types of shapes with M.C. Escher.
1938, woodblock detail, M.C. Escher's unique take on Dutch landscape, melting reality through tessellations. — Dulwich Picture Gallery
The Art of the Impossible I
The Art of the Impossible II
...marvelling at his intuitive brilliance and the penetrating light it still sheds on complex mathematical concepts.—Sir Roger Penrose
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