See highlights and high-quality resources for advanced investigations.
Texture (an element of visual art and design) is the perceived surface quality of a work of art... characterized by its visual and physical properties... —
Texture at
oogle Arts & Culture
Intro Video: Texture: 7 Elements of Art (7:24) —Lillian Gray
Physical, actual, tactile texture is the patterns of variations upon a solid surface. These can include -- but are not limited to - fur, canvas, wood grain, sand, leather, satin, eggshell, matte, or smooth surfaces such as metal or glass... —
Next, we will learn about "implied, visual" textures and common techniques to draw the illusion of "realistic" textures.
Visual or implied texture is the illusion of having physical texture... —
Hatching Crosshatching Stippling Blending
are four of the most common line techniques used to create value and the "illusion" of space and texture on a form in a drawing and they can be applied with all drawing mediums. We begin with Hatching by Philinthecircle.
Hatching (hachure in French) is an artistic technique used to create tonal or shading effects by drawing (or scribing) closely spaced parallel lines. (0:15)
Crosshatching at its simplest, a layer of linear hatching is laid over another layer at a 90° angle, to which further diagonal layers may be added. (0:15)
Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature. (0:20)
Blending is to combine or associate so that the separate constituents or the line of demarcation cannot be distinguished. (5:55)
Setting a Ground Drawing Tutorial (10:20)
Ideally, the first step to creating realistic textures
is to "set a ground".
"This technique enhances shading and shadows better than beginning with a blank white page. Instead of starting with an entire sheet at one end of the brightness spectrum, we attempt to start in the middle. This reduces the tendency to produce a final drawing that is unrealistically bright or washed out." —Mr. Henls
Start your drawing by sketching and blending with gentle pressure on the entire area of your paper or surface. Create a solid gray (1, 2, or 3 on your blended value scale below) or varying tones if needed (values 1 to 5). These tones should correlate with the direction of the light source; one side being darker than the other.
Carefully observe the actual, physical texture of wood, brick, metal, grass, leaves, and tree bark to imitate the three-dimensional characteristics (lines, patterns, etc.) of each to draw implied visual textures. For examples, refer to the wood, brick and bark demonstrations in the videos below:
Rubbing - Art Vocab Definition
(0:22) -Philinthecircle.
A rubbing (frottage) is a reproduction of the texture of a surface
created by placing a piece of paper or similar material
over the subject and then rubbing the paper with something to deposit marks,
most commonly charcoal or pencil but also various forms of blotted and rolled ink,
chalk, wax, and many other substances.
Next, identify the techniques you have learned by looking at St. Jerome in His Study, a famous engraving (detail) by Albrecht Durer.
St. Jerome in His Study (top intro image) engraving detail, c.1514, by Albrecht Durer at the Metropolitan Museum of Art, New York, USA. Saint Jerome, translator of the Bible, works peacefully at a slanted writing table, and his lion and dog slumber equally peacefully in the foreground. The light of his halo and the sunlight pouring in through the windows are in perfect equilibrium, and recurrent horizontals in the composition add to the pervasive sense of repose and harmony.
ENLARGE │ DETAILS │ VIDEO │ MORE ART │ ARTIST BIO
Below, is a small sample of
information links
coordinated with
video playlists.
Each link and video thumbnail takes you to the category on the Resource page.
Once there, activate the links.
Resources
Creative Commons Public Domain
0 1.0 Universal 0 1.0) License